Margaret Lockwood, in full Margaret Mary Lockwood, (born Sept. 15, 1916, Karachi, India [now Pak. Production Company: Gainsborough Pictures. Lockwood was born on 15 September 1916 in Karachi, British India, to Henry Francis Lockwood, an English administrator of a railway company, and his third wife, Scottish-born Margaret Eveline Waugh. Her first moment on stage came at the age of [34] then went off suspension when she made a comedy for Corfield and Huth, Look Before You Love (1948). What a time to have been alive. All rights reserved. But as the film progressed I found myself working with Carol Reed and Michael Redgrave again and gradually I was fascinated to see what I could put into the part. Switch to the light mode that's kinder on your eyes at day time. The third actress daughter of the Raj - following Merle Oberon and Vivien Leigh - she was born on 15th September, 1916. The Lady Vanishes: The Criterion Collection [Blu-Ray]. Her last professional appearance was as Queen Alexandra in Royce Ryton's stage play Motherdear (Ambassadors Theatre, 1980). In your lifetime, beauty marks have likely been seen as a sign of, well, beauty. British Parliament wasn't a fan of this tomfoolery, though. So much so that, in 1650, they created a bill to prevent "the vice of painting, wearing black patches, and immodest dresses of women.". Her RADA-trained voice was posh, of course, but not supercilious. Long live the mouches! A free trial, then 4.99/month or 49/year. A year later, she played another fairy, for 30 shillings a week, in "Babes in the Wood" at the Scala Theatre. When the author Hilton Tims, was preparing his recent biography, "Once a Wicked Lady", a stall holder from whom he was buying some flowers for her, snatched up a second bunch and said, "Give her these from me. Margaret Lockwood, 73, Is Dead; A Popular Actress in British Films She was survived by her daughter, the actress Julia Lockwood. [9] This movie was a hit and launched Lockwood as a star. "[10], She did another with Reed, Night Train to Munich (1940), an attempt to repeat the success of The Lady Vanishes with the same screenwriters (Launder and Gilliat) and characters of Charters and Caldicott. This article was most recently revised and updated by, https://www.britannica.com/biography/Margaret-Lockwood, Margaret Lockwood - Student Encyclopedia (Ages 11 and up). Mason and Mullen are artificially aged to play the old couple. Margaret Lockwood (1916-1990) was Britain's number one box office star during the war years. Stage career In 1955, she gave one of her best performances, as a blowsy ex-barmaid in "Cast a Dark Shadow", opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. This was her first opportunity to shine, and she gave an intelligent, convincing performance as the inquisitive girl who suspects a conspiracy when an elderly lady (May Whitty) seemingly disappears into thin air during a train journey. Your email address will not be published. Your email address will not be published. Lee dropped out and was replaced by Lockwood. No weekends or evenings required. In 1941, she gave birth to a daughter by Leon, Julia Lockwood, affectionately known to her mother as "Toots", who was also to become a successful actress. Margaret Lockwood moved to 2 Lunham Rd, London SE19 1AA in 1920. However, there is perhaps no stranger way than to declare your party affiliation via mole. Salmon patches (sometimes known as "stork bites"), hemangioma (what some people call "strawberry marks"), and port wine stains, are some common forms of vascular birthmarks. The film had one of the top audiences for a film of its period, 18.4 million. Various polls of exhibitors consistently listed Lockwood among the most popular stars of her era: On this Wikipedia the language links are at the top of the page across from the article title. Margaret Lockwood. [44], In 1952, Lockwood signed a two picture a year contract with Herbert Wilcox at $112,000 a year, making her the best paid actress in British films. The excitement of "walking on" in Noel Coward's mamouth spectacular, "Cavalcade", at Drury Lane in 1931 came to an abrupt conclusion when her mother removed her from the production after learning that a chorus boy had uttered a forbidden four-letter expletive in front of her. Instead, she played the role of Jenny Sunley, the self-centred, frivolous wife of Michael Redgrave's character in The Stars Look Down for Carol Reed. Lockwood never remarried, declaring: "I would never stick my head into that noose again," but she lived for many years with the actor, John Stone, whom she met when they appeared together in the 1959 stage comedy, "And Suddenly It's Spring". Due to the success of the film, Margaret spent some time in Hollywood but was given poor material and soon returned home. Margaret Mary Day Lockwood, CBE (15 September 1916 - 15 July 1990), was an English actress. The flow of performances by Lockwood in the 1940s meanwhile amount to a consistent grappling and overcoming of victimhood. She also doesn't apply the spot in the same place. That year, she was created CBE, but her appearance at her investiture at Buckingham Palace accompanied by her three grandchildren was her last public appearance. Lockwood attended drama school from the age of five and following her parents divorce was just 12 when cast as the star of Heidi for a 1953 childrens TV serial. In 1920, she and her brother, Lyn, came to England with their mother to settle in the south London suburb of Upper Norwood, and Margaret enrolled as a pupil at Sydenham High School. 2023 British Film Institute. She travelled to Los Angeles and was put to work supporting Shirley Temple in Susannah of the Mounties (1939), set in Canada, opposite Randolph Scott. A Place of One's Own - Wikipedia Showing Editorial results for margaret lockwood. While its hard to imagine Carey Mulligan or Keira Knightley being asked to offer up a Romantic paean to life within a few minutes, the demand on Lockwood made sense during the live for now atmosphere of World War II and she pulled off the flow with sustainedintensity. The Times (17/Jul/1990) - Obituary: Margaret Lockwood After poisoning several husbands in Bedelia (1946), Lockwood became less wicked in Hungry Hill, Jassy and The White Unicorn, all opposite Dennis Price. Please like & follow for more interesting content. In the 1960s and 70s she appeared on British television, including a 1965 series The Flying Swan with her daughter Julia. This is the ITV DVD Region 2 DVD release of the Margaret Lockwood films - The Wicked Lady from 1945 and Bank Holiday from 1938. . ", The Times (17/Jul/1990) - Obituary: Margaret Lockwood, http://the.hitchcock.zone/w/index.php?title=The_Times_(17/Jul/1990)_-_Obituary:_Margaret_Lockwood&oldid=145800. That's not to say all faux beauty marks went out of style. [17][18], Lockwood returned to Britain in June 1939. Though, we doubt they'd be the only ones perplexed by the idea. Beautician, Beauty Salon, Barber, Hair Stylist. The property has now been converted to flats. 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[12], She followed this with A Girl Must Live, a musical comedy about chorus girls for Black and Reed. Her subsequent long-running West End hits include an all-star production of Oscar Wilde's An Ideal Husband (196566, in which she played the villainous Mrs Cheveley), W. Somerset Maugham's Lady Frederick (1970), Relative Values (Nol Coward revival, 1973) and the thrillers Signpost to Murder (1962) and Double Edge (1975). Margaret Lockwood, an actress who became one of the most popular figures in British films of the late 1940's, died on Sunday. In your lifetime, beauty marks have likely been seen as a sign of, well, beauty. The couple had a daughter, Julia Lockwood. She made no more films with Wilcox who called her "a director's joy who can shade a performance or a character with computer accuracy" but admitted their collaboration "did not come off. They did. A report published by theJournal of the American Academy of Dermatology(via NCBI) highlighted the "disfiguring scars" left in the disease's wake. She also performed in a pantomime of Cinderella for the Royal Film performance with Jean Simmons; Lockwood called this "the jolliest show in which I have ever taken part. Believing she will die, she gives up her lover Kit (Granger) to an actress, Judy (Roc), who is mounting an outdoor production of The Tempest on a rugged Cornwall coastal spot. During the 1940s, she starred in some blockbusters, including Hungry Hills, The White Unicorn, Cardboard Cavalier, and others. I try to give him something of an unearthly quality.. Did anyone tell you what a slut you are? Grangers Rokeby says to Hesther in The Man in Grey, before slapping her; the accusation doesnt perturb her since she uses sex to rise in society. Even still, the trend took off and transformed intodecorative patchesormouches("flies" in French), in which faux moles made of colorful silk, taffeta, and leather were applied to the face. Lady barrister Harriet Peterson tackles cases in London. I'll Be Your Sweetheart (1945) was a musical with Guest and Vic Oliver. Margaret Lockwood. When Barbara smothers the godly old servant (Felix Aylmer) whos lingering on after drinking her poison, she was speaking for all mid-40s women who were impatient to dispense with patriarchalcant. She is survived by her children with Clark, Nick, Lucy and Katharine, and her son, Tim, from a previous relationship. Margaret Lockwood autographed publicity for Jassy, The Wicked Lady (1945) photograph (48) | Margaret Lockwood, Margaret Lockwoods jumper Bestway knitting leaflet, Jassy (1947) photograph (34) | Margaret Lockwood, Patricia Roc, Margaret Lockwood photograph (37) | Highly Dangerous 1950, Queen of the Silver Screen Margaret Lockwood biography Spence 2016, Once a Wicked Lady biography of Margaret Lockwood by Hilton Tims, Lucky Star The Autobiography of Margaret Lockwood, My Life and Films autobiography by Margaret Lockwood (1948), 34 Upper Park Rd, Kingston upon Thames KT2 5LD. A three-time winner of the Daily Mail Film Award, her iconic films 'The Lady Vanishes', 'The Man in Grey' and 'The Wicked Lady' gained her legions of fans and the nickname Queen of the Screen. In the postwar years, Lockwoods popularity fell out of favor. Summary: An interview of Margaret Lockwood conducted 1992 Aug. 27 and Sept. 15, by Robert Brown, for the Archives of American Art. Articles from Britannica Encyclopedias for elementary and high school students. This last blow, coupled with the sudden death of her trusted agent, Herbert de Leon, and the onset of a viral ear infection, caused her to turn her back gradually on a glittering career. Named her after Gaio Giulio Cesare to commemorate her birth by Caesarian operation. Her body was cremated at Putney Vale Crematorium. Julia was born in Ringwood, Hampshire, when her father, Rupert Leon, a commodities clerk, was serving in the army while her mother continued her film career. A year later, she played another fairy, for 30 shillings a week, in Babes in the Wood at the Scala Theatre. Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of "The Beloved Vagabond". Margaret Lockwood - Wikipedia Those with beauty marks in the 1800s would've likely felt anything but beautiful during a time when skin whitening recipes promising to "take away" freckles and moles were abundant. Lockwood studied at the Royal Academy of Dramatic Art, England's leading drama school, and made her film debut in Lorna Doone (1935). Jennifer Lawrence, for instance, has been dubbed the"mole-iest" not most beauty-marked sex symbol of all time by Slate because her pigmented spots happened to land not just on her face, but on her neck and chest as well. "It was the cutest stinking mole, and I was sold," she admitted. In between playing femmes fatales, she had a popular hit in the 1944 melodrama A Lady Surrenders (1944) as a brilliant but fatally ill pianist and was sympathetic enough as a young girl who is possessed by a ghost in A Place of One's Own (1945). In 1954 she also took the title role in a BBC production of Alice in Wonderland, which she had performed at Q theatre in Kew, south-west London, on her stage debut the previous Christmas. The music was written by Hubert Bath. When I marry, I shall have a large family. The turning point in her career came in 1943, when she was cast opposite James Mason in "The Man in Grey", as an amoral schemer who steals the husband of her best friend, played by Phyllis Calvert, and then ruthlessly murders her. Later, aged 16 and playing Wendy, she joined her mother in the 1957 Christmas production. Much of Shakespeare's work features "figures who are, in the perception of age, 'stained,' and yet whose stain is part of their irresistible, disturbing appeal," according to Greenblatt. It made her determined to be up on stage herself, flying through the air and fighting the pirates. They write new content and verify and edit content received from contributors. During her suspension she went on a publicity tour for Rank. Possibly up to halfof all melanomas start as benign moles. [20], She was meant to be reunited with Reed and Redgrave in The Girl in the News (1940) but Redgrave dropped out and was replaced by Barry K. Barnes: Black produced and Sidney Gilliat wrote the script. In 1944, in A Place of Ones Own, she added one further attribute to her armoury: a beauty spot painted high on her left cheek. Her final stage appearance, as Queen Alexandra in Motherdear, ran for only six weeks at the Ambassadors Theatre in 1980. She had one last film role, as the stepmother with the sobriquet, "wicked", omitted but implied, in Bryan Forbes's Cinderella musical, "The Slipper and the Rose" in 1976. Her final stage appearance, as Queen Alexandra in "Motherdear", ran for only six weeks at the Ambassadors' Theatre in 1980. While Biography stated that no one truly knows if Monroe's beauty mark was real, drawn on, or accentuated with makeup, one thing is for sure: she helped propel the look into mainstream. Omissions? "[46], The association began well with Trent's Last Case (1952) with Michael Wilding and Orson Welles which was popular. Lockwood married Rupert Leon in 1937 (divorced in 1950). Please refer to the appropriate style manual or other sources if you have any questions. Lockwoods stage appearances included Peter Pan (194951, 195758), Spiders Web (195456), which Agatha Christie wrote for her, and Signpost to Murder (196263). 152 Margaret Lockwood Actress Premium High Res Photos MICHAEL REDGRAVE & MARGARET LOCKWOOD Character (s): Gilbert & Iris Henderson Film 'THE LADY VANISHES' (1938) Directed By ALFRED HITCHCOCK (Allstar/GAINSBOROUGH) SHE was the Queen Of The Silver . [54] She lived her final years in seclusion in Kingston upon Thames, dying on 15 July 1990 at the Cromwell Hospital, Kensington, London, from cirrhosis of the liver, aged 73. Philip French's screen legends | Movies | The Guardian In 1969 she starred as barrister Julia Stanford in the TV play Justice is a Woman. She was reunited with her mother on TV in The Royalty (1957-58), as mother and daughter Mollie and Carol running a posh London hotel, and its 1965 sequel, The Flying Swan. Listed on 2023-02-26. The following year, she appeared at the Scala Theatre in the pantomime in the drama The Babes in the Wood. I like consistency when it comes to getting my hair done. So, while Cindy Crawford and other big names with facial molesare often credited with having iconic beauty marks, celebs with body moles aren't given quite the same label. Margaret Lockwood was born (as Margaret Mary Lockwood Day) in Karachi, Pakistan on 15th September, 1916. 10-06-22 . Lockwood so impressed the studio with her performance particularly Black, who became a champion of hers she signed a three-year contract with Gainsborough Pictures in June 1937. It was an uphill battle even for those who survived. Hear, hear! Several kings and queens even succumbed to the disease and, according to History.com, it is thought that 400,000 commoners died each year as a result. The film was a massive hit, one of the biggest in 1943 Britain, and made all four lead actors into top stars at the end of the year, exhibitors voted Lockwood the seventh most popular British star at the box office. Cindy Crawford, for example, is notorious for her iconic "blemish." These days, Rowland doesn't like to leave home without her trusty appliqud beauty mark. [5][6][7] This was at 4,000 a year.[8]. However, after being given an initial leg-up by her mother famous for the trademark beauty spot painted high on her left cheek the young Lockwood forged her own career, navigating the difficult transition from child to adult actor. She was best known for her roles in The Lady Vanishes (1938) and The Wicked Lady (1945) but also enjoyed a successful stage and television career. When the author Hilton Tims was preparing his biography, Once a Wicked Lady, a stall holder from whom he was buying some flowers for her, snatched up a second bunch and said, Give her these from me. When peace came, her mother was keen for her daughter to follow in her footsteps. For this, British Lion put her under contract for 500 a year for the first year, going up to 750 a year for the second year.[3]. Guaranteed competitive hourly wage average wage is $16-$18 an hour, plus an incentive commission and tips! Madeleine Marshtold BBC that it wasn't untilHollywood came to be that moles transformed from something to be abhorred to something to be admired. To use social login you have to agree with the storage and handling of your data by this website. The perception of beauty marks has come a long way since the 1800s, though, that's not to say it happened overnight. Anentire faux mole industry was born and a street in Venice, Calle de le Moschete, was named in its honor. She was in a BBC adaptation of Christie's Spider's Web (1955), Janet Green's Murder Mistaken (1956), Dodie Smith's Call It a Day (1956) and Arnold Bennett's The Great Adventure (1958). A visit to Hollywood to appear with Shirley Temple in Susannah of the Mounties and with Douglas Fairbanks, Jnr, in Rulers of the Sea was not at all to her liking. Lockwood gained custody of her daughter, but not before Mrs Lockwood had sided with her son-in-law to allege that Margaret was an unfit mother. She complained to the head of her studio, J. Arthur Rank, that she was sick of sinning, but paradoxically, as her roles grew nicer, her popularity declined. [1] She returned to England in 1920 with her mother, brother 'Lyn' and half-brother Frank, and a further half-sister 'Fay' joined them the following year, but her father remained in Karachi, visiting them infrequently. Margaret Lockwood | British actress | Britannica This film was a success, launching Lockwoods career, and Gaumont extended her contract from three to six years. [21] Her return to acting was Alibi (1942), a thriller which she called "anything but a success a bad film. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. [24] She was featured alongside Phyllis Calvert, James Mason and Stewart Granger for director Leslie Arliss. She starred in another series The Flying Swan (1965). The actor Julia Lockwood, who has died of pneumonia aged 77, began life in the shadow of her famous mother, Margaret Lockwood, who was confirmed as one of Britain's biggest box-office stars. Margaret Lockwood as Lydia Garth Paul Dupuis as Paul de Vandiere Kathleen Byron as Verite Faimont Maxwell Reed as Joseph Rondolet Thora Hird as Rosa Raymond Lovell as Comte de Vandiere Maurice Denham as Doctor Simon Blake David Hutcheson as Max Ffoliott Cathleen Nesbitt as Mother Superior Peter Illing as Doctor Matthieu Jack McNaughton as Attendant In the 17th and 18th centuries, smallpox was running rampant in Europe. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). Job specializations: Beauty/Hairdressing. If you have a real beauty mark, however, you should be aware of what the SkinCancer Foundation calls the "ABCDE" signs of melanoma, the deadliest form of skin cancer. In 1948, she made her television debut in the role of Eliza Doolittle in the series Eliza Doolittle. Lockwood had the most significant success of her career to date with the title role in The Wicked Lady (1945). It became her trade mark and the impudent ornament of her most outragous film "The Wicked Lady", again opposite Mason, in which she played the ultimate in murderous husband-stealers, Lady Skelton, who amuses herself at night with highway robbery. "[50], As her popularity waned in the post war years, she returned to occasional performances on the West End stage and appeared on television; her television debut was in 1948 when she played Eliza Doolittle.[51]. Innogen from the play "Cymbeline" proves this to be true as she just so happened to have a facial mole, or, beauty mark. Margaret Lockwood pictures - Silver Sirens (1937), again for Carol Reed and was in Melody and Romance (1937). "I was terribly distressed when I read the press notices of the film", wrote Lockwood. Racked explained how women first started applying mouse fur yes, mouse fur to their pockmarks. This last blow, coupled with the sudden death of her trusted agent, Herbert de Leon, and the onset of a viral ear infection, vestibulitis, caused her to turn her back gradually on a glittering career. In 1920, she and her brother, Lyn, came to England with their mother to settle in the south London suburb of Upper Norwood, and Margaret enrolled as a pupil at Sydenham High School. Instead she was a murderess in Bedelia (1946), which did not perform as well, although it was popular in Britain.[27]. The actress Margaret Lockwood was one of Britain's biggest 1940s film stars. Rank was to put her in an adaptation of Ann Veronica by H. G. Wells but the film was postponed. It also helps other women with beauty marks to have an ally with which to identify. While vascular birthmarks like stork bites and strawberry marks are always something a person is born with, and therefore a real-deal birthmark, pigmented spots like moles are a bit more nuanced. Her gentle beauty was heightened by different degrees of melancholy inBank Holiday(1938) andThe Lady Vanishes(1938), undimmed by her playing an indolent, pouting trollop inThe Stars Look Down(1939), and coarsened by the twisted thoughts of her Regency-era social climber Hesther in The Man in Grey (1943), her highwaywoman Barbara Worth inThe Wicked Lady(1945), her psychopathic title characterinBedelia(1946). Margaret Lockwood moved out of 30 Highland Rd, London in 1937. "I like moles. Getty Images. This was even more daring in its depiction of immorality, and the controversy surrounding the film did no harm at the box office. It is not too much to expect that, in Margaret Lockwood, the British picture industry has a possibility of developing a star of hitherto un-anticipated possibilities. These were standard ingnue roles. The Wicked Lady - Wikipedia Margaret Lockwood was appointed a Commander of the Order of the British Empire (CBE)[52] in the 1981 New Year Honours. Margaret Lockwood moved to Dolphin Square, Pimlico, London in 1937. October 17, 1937 - 1950 (divorced, 1 child), The Slipper and the Rose: The Story of Cinderella, Karachi, British India [now Karachi, Pakistan]. Margaret Lockwood was a famous British actress and the leading lady of the late 1940s. I dont believe in raising an only child. An unpretentious woman, who disliked the trappings of stardom and dealt brusquely with adulation, she accepted this change in her fortunes with unconcern, and turned to the stage, where she had successes in Peter Pan, Pygmalion, Private Lives and Agatha Christies thriller, Spiders Web, which ran for over a year. However she was soon to suffer what has been called "a cold streak of poor films which few other stars have endured. Then, in 1972, she married the actor Ernest Clark, best known as the irascible Geoffrey Loftus in Doctor in the House and its TV sequels, and her fellow star in the Ray Cooney farce The Mating Game (Apollo theatre, 1972). Among her best performances was that in 1938, when Alfred Hitchcock cast her in The Lady Vanishes (1938), opposite Michael Redgrave, then a relative newcomer to Hollywood. She was known for her stunning looks, artistry and versatility. She was meant to make film versions of Rob Roy and The Blue Lagoon[19] but both projects were cancelled with the advent of war. While a real mole's shape is fixed, a mouche could be designed in a variety of styles.
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